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Where we work, and what changes out there

Twelve towns across the New Orleans metro, the north shore and up the river. A line on a map is not what changes a paint job here. Three things do, and every town below sits under one of them.

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Coverage

Sorted by what the wall is up against

Parish lines do not change how paint behaves. Shade, standing humidity and the age of the substrate do, and they are the three things that decide how a job here is sequenced.

Ground one

Under the canopy

Shade keeps moisture on a wall long after the sun has moved off it. Under a heavy oak canopy the recoat window stretches out, and the shaded elevation is the one that sets the schedule for the whole house.

Ground two

On the water

A canal, a levee or a lakefront behind the house holds humidity at ground level. Two ends of one street can be ready to coat at different hours, so the order of the day matters more than the size of the crew.

Ground three

Older stock

Old siding, old millwork and old paint mean most of the day goes into preparation. On an older frontage the finish is only ever as good as what was scraped, filled and primed underneath it.